Not all faces, y'know. Here's a little bit, from the neck down..

ETH-2380 untitled figure study (8x10") oil (2012)
The face series is coming along nicely. I've got a growing stack
of these 6x8" experiments and it's getting more challenging fitting
them together in groups. Maybe it's time to consider a wall sized
grouping[?]. Here are six recent favorites.

6 portrait studies (6x8") oil on canvas (2012)
I recently made good (well, started anyway) on a plan to "digitize" my
old slides of paintings. It's going to take a while, mostly because
it's going to take a lot of money to do them all: guess-timating about
900! But I enjoyed going through my slide binder looking at many old
paintings and drawings, many of which have been sold and I haven't seen
for, well, many years! As I tweak them with Photo Shop and get the
images ready, I'll post some of my favorites both here in the blog
as well as on my Archive page.

ETH-0010 "Todd Rundgren" (9x12") oil on panel (1981)
Every once in a while we go out with cameras in the late afternoon
to see what the sunset will be like. Of course the advantage of the
digital camera is the "expendability" of the image -- take what you
can use, delete the rest. One time, I took one hundred-some shots
of waves in one sitting. The hard part is going through them all and
figuring out which ones to use. As I recall, I got about 3 or 4
paintings from that set.
Today's featured painting is from another such "inspiration run"
a while back. I just hang onto my favorite images until the
time is right to paint them.

ETH-2339 "By The Light of the Moon" (5x7") oil (2011)
Catch up time, with a little ocean scene from last autumn.
Apparently, I need to take a little more time to title these
paintings. This, and the last few remain nameless, even since
last September in this case. Enjoy anyway!

ETH-2293 "currently untitled" (6x8") oil (2011)
The portrait studies that I have been doing in recent months have resulted
in a variety of experiments in color and technique. In turn, I often apply
some of these new approaches to older themes. This figure study was started
right after a portrait study, and I even used the paint that was left over.
In the portrait study, I attempted a more mottled impressionistic look that I
remember from some Norman Rockwell portraits I had seen in Look magazine..
let's just say, a few years back. I continued that technique with this figure
study, instead of the common detailed black and white style I often use.

ETH-2375 "currently untitled" (8x10") oil (2012)
Although my work scheduled changed at the end of January (for the better!),
and I continue my portrait series, I still find some time to paint some of
the other subjects I'm known for. In particular, this post shows a couple
recent ocean scenes. The first is based on a scene from the Waimea side
of Oahu..

ETH-2366 currently untitled (11x14") oil (2012)
It's pretty done in my regular realistic style.. but the other recent seascape
is where I cut loose a bit! The end result reminds me a little of how Monet's
paintings look to me: thicker bolder impressionistic base paintings topped with
thinner and more fluid strokes that bring out the details. This is especially
true in how I handled the bottom edge of the water.

ETH-2370 "currently untitled" (16x20") oil (2012)
The "Little Gems" show at West End Gallery
ends shortly [March 9th]. I enjoyed reading Cornelius O'Donnell's column
in the February 21st Leader, entitled "Climbing the Walls in the Kitchen."
I agree: you can never have enough artwork in any room! I also appreciate
the comments he made about one of my pieces in the show.
I am really having fun with the "portrait series." Especially the
envigorating and inspiring experimentation I get into. And I haven't
even set foot in "mixed media" territory yet!

ETH-n.a. (6x8 each) oil 2012
This is my first post with this "new" blogging procedure via my existing
website. My previous blog was on Blogger, but Google is proposing some
changes that I just couldn't embrace, so...on with today's story:
The Honolulu Museum of Art (formerly Hono. Academy of Art) has a free
Sunday once a month (under Bank of Hawai'i's sponsorship). I take advantage
of this every few months. The museum's website says "Come be inspired," and this
time, I certainly was.
One of my favorite galleries (I forgot the official name) houses Hawai'i art.
There is one large wall with salon style hanging (which I don't like, at least,
maybe the present arrangment). There is a small piece, too high up, but very
eye catching still the same. And I thought, 'I have a photo of a similiar
nighttime scene. I'll have to try to paint it.' And I think it turned out
pretty well in capturing the richness of the night sky.

ETH-2360 "Night Sky" (8x10") oil (2012)
I have consolidated my blog with my website and further blog posting
will occur here.
I will attempt to import my previous posts here as well. But that
will take a little time, so bear with me.
Unfortunately, since this is set up as a basic webpage, there isn't
the ability to comment or subscribe. But I hope you will bookmark,
and visit from time to time to see what I am up to.
Opening reception at West End Gallery.
Details on their website.

ETH-2318 "Keeping Two Doctors Away" (6x6") oil (2011)

ETH-2354 "Tea With Lemon" (5x7") oil (2011)

ETH-2346 "Countryside" (5x7") oil (2011)

ETH-2343 "Painted Post" (5x7) oil (2011)
The "Little Gems" show at West End Gallery
is my favorite show to participate in... probably because the size limit allows
them to hang more of my pieces! The 2012 "Little Gems" opens Friday,
February 3rd, so I thought I'd offer a little preview of what to look for.

ETH-2342 "Flamingo" (6x7") oil (2011)
The "face series" is really a two part process.
I make these little 6x8 inch oil sketches/paintings (some more finished than others),
and when I have a small stack to choose from, I assemble them in groups of four, six or nine faces.
The idea in the first step is to experiment with different faces and portraits;
in the second step, mount them together, and figure out how to unify them.
Most of the faces are random finds or photographs I've taken. But, there are a couple
recognizable faces too (more in future blogs). Here are four "fab faces" in progress.
I have since trimmed the canvas and mounted them together to begin the final highlights.

ETH-n.a. currently untitled (12x16") oil (2011-12)
One of the first new nudes of the year...

ETH-2357 "Sketch: against the knee" (8x10") ballpoint pen (2012)
Obviously, this is a piece, from last September, that I couldn't share immediately on the
blog because it was slated to be my Christmas print for 2011. This is a giclee
that I give to family. It's based on series of photos my brother Emil took of his
Night Blooming Cereus as he patiently waited through the night to take.
I liked how he lit it, and since other family members also have one, I thought it was
a nice idea for 2011.

ETH-2305 "Audrey" (10x12") oil (2011)
This one I did a while back (last summer). It's from one of my morning walks in which I took
the camera along. This is one of my rarer morning routes: only a few times a year.
It's past Kapiolani Park, up Diamond Head Road along the base of Diamond Head,
past the lighthouse, and then take the trail down to the beach and double back toward
Waikiki along the shore. It's a pretty good little hike with wonderful views.
My August 30, 2011 blog is a view from the aforementioned trail. This particular scene
is still up on the road looking down through the thicket toward the ocean.

ETH-2285 "Diamond Head Beach through the trees" (8x10") oil (2011)
I look forward to some interesting and exciting projects with the coming year. But taking a
moment to look back, I'm posting one more drawing from the year. I would also like to
thank you for visiting this blog and taking a look at the work I've been doing. All the best
for ALL of OUR creativity in 2012.

ETH-2292 "Sketch: body at rest" (8x10") ballpoint pen (2011)
Last summer, Amelia told me about the Gamblin Torrit Grey competition. Having done
black and white painting in the past, I thought I'd give it a try. I entered three pieces
which are on view at the Gamblin website.

ETH -2299 "Kitchen Stuff" (8x10") oil (2011)
Maybe it'd be a good idea to wear some socks if the floors are cold...

ETH-2286 "Sketch: cold floor" (8x10") ballpoint pen (2011)
Let's not forget some recent figure work in drawing and painting media [well, one is recent,
but neither have been posted here, yet].

ETH-1827 "Home From Work" (8x10") pencil (2010)

ETH-2309 "Watching the Tile Cutter" (8x10") oil on panel (2011)
My morning walks take me to various areas in and around Waikiki. I try to remember to take
along the camera.. just in case it's an extra spectacular sunrise. But I come across other
great subject matter as well, like the outriggers resting along the Ala Wai. I first planned
to blur out the buildings and palms in the background, but it got too messy. So, hell,
I covered it all over in favor of a warm sky over a beach.

ETH-2306 "Outriggers" (8x10") oil on panel (2011)
It was come to my attention that someone is selling a print of one of my paintings (below).
NO ONE is authorized to publish prints and sell prints at this time. On eBay, I ONLY list
original paintings and drawings, and only occasionally a giclee print that comes with a
Certificate of Authenticity.

ETH-2237 "Study: reach" (7x9") oil (2011)
Here from the mountain side of Waikiki, I get to see the light reflect on the multi-faceted
ridges of the volcanic formed mountains. Sometimes it seems like snowflakes: no two views
are ever the same. And the cloud patterns and colors add to it all. You can almost feel
the breeze in this one.

ETH-2273 "3 Palms" (8x10") oil on panel (2011)
This is a small piece depicting some waves I photographed on one morning walk. I like working
with the patterns and color changes in the water -- always have. This is at West End Gallery
for the Holiday show.

ETH-2313 "Low Tide" (5x7") oil (2011)
And speaking of holidays, I've been holding back on the following piece waiting for it to
arrive for Adriana's birthday. Well, it finally did the other day, exactly one month late!
It represents a nice little connection between German engineering and the Hawaiian beaches..

ETH-2304 "Beach Bus" (6x8") oil (2011)
Sometimes the background of a painting can give you the most grief. If too much,
it's a distraction, if not enough, you run the risk that your piece is labelled
"unfinished." More and more, I'm going for that "less is more" background.
And to hell what the critics say!

ETH-2310 "Study: reaching up" (8x10") oil (2011)
Although a great many of my ballpoint drawings in recent years have been about nudes,
I occasionally diverge. This is a very recent example.

ETH-2315 "Shelf Life " (8x10") ballpoint (2011)
This is another recent study from over the summer. I believe it might even been done
with the Torrit Grey; I did quite a few with the competition in mind. Smoking also
figured in quite a few images in recent months as well..

ETH-2283 "Study: in a fog" (6x8") oil (2011)
While I'm working on some ideas for new projects, I keep busy doing small studies:
portraits, and Hawaiian land and seascapes. In this case, as an experiment, I did
two at the same time.

ETH-2311 "Blue Horizon 1" (5x7") oil (2011)

ETH-2312 "Blue Horizon II" (8x10") oil (2011)
Sometimes, just a little bit of color makes a difference. This is a shot from
Amelia's great European Adventure of 2011. It is pretty literally replicated..
but Roland suggested a little spot of light in the area of the buildings would
create an interesting focal point. And he's right..

ETH-2262 "Swiss Winter Haze" (8x10) oil on canvas (2011)
This is a recent ballpoint pen drawing.

ETH-2282 "Sketch: relaxed pose" (8x10") ballpoint pen on Strathmore paper (2011)
One of my morning walk routes takes me along a small street that feeds into the
Ala Wai. Here's another painting based on some photos I took of the ducks that
hang out over there. It's from the same series of pictures that yielded the
Sept 24, 2011 painting. I like how I handled each in a very different style.
This one is one its way to West End Gallery (flying east in the fall rather than south!)

ETH-2302 "Waddling" (5x7") oil (2011)
Amelia is my daughter and frequently appears as a subject in my artwork. She is
a talented artist and musician in her own right. I don't recall when I first saw
her "wine stain" series, but I thought it was the most unique, creative idea
I had seen in a long time.
Recently, several blogs have picked up on her series, and now I feel like
a johnny-come-lately because I never thought to promote others on this blog.
Call me self-centered, but at least I know when to correct a mistake! Here's a teaser
of what you can see at her website:

And here's another little piece that I did. It's all packed and ready to go to
West End Gallery for the next show.

ETH-2290 "Cornflower" (5x7") oil on canvas (2011)
Amelia brought the Torrit Grey competition to my attention this past year.
It's a limited edition color made of recycled pigments. I entered three images
recently, BUT none of the nude studies I attempted with the color. Maybe next time...

ETH-2276 nude #3" (9x12") oil (2011)
First, I have two pieces in the 42nd Annual Contemporary Artists of Hawaii show
(downtown Honolulu). The exhibit runs to October 15. Both pieces have appeared
on this blog, but you'll have to go to see which ones.
I often take my camera on my morning walks to capture high south swells,
and the sunrises. But there are other little inspirations as well. Like these
little feathered friends who congregate along this little stream that feeds
into the Ala Wai. This is one of two recent studies based on those photos.

ETH-2301 "Trio of Ducks" (5x7") oil (2011)
There are two main reasons I like drawing with the ballpoint pen.
1) There is the ease and convenience... If I have some extra time, I can pick up
where I left off. There's no setup and no messy clean up, no solvent smell etc.
The trick is finding the right pen: comfortable to use and "responsive"
(ever pick up a pen, and have to scribble for a while before it starts! I HATE THAT!)
The 2) reason is that I like how the piece can have that "etching look" at the end.
Unfortunately, it never really shows up well in these photographs, but it is
definitely noticeable when you hold and look at the actual piece.

ETH-2250 "Sketch: behind him" (10x12") ballpoint pen (2011)
There have been a couple of really big south swells in the past few weeks,
and I managed to get some shots for future artwork. I'm getting into the habit
of remembering to take my camera on my morning walks. Meanwhile, here's
a painting based on a photo shoot on the North Shore. Not quite the epic waves
Waimea is known for, but dramatic none the less. This particular spot is called
Grater -- when a wave throws you up against those rocks, you'll understand why.
I have a couple of other North Shore scenes, as well as other Hawai'i themed
artwork scheduled to show at the 4th Annual Napa Valley Aloha Festival
(http://www.manaleohcf.org/alohafestival.htm) this Saturday, 9/17.

ETH-2248 "Grater" (16x20) oil (2011)
Apparently, I can be "controversial." This painting was made especially for
and entered into the Schaefer Portrait Challenge, a Hawai'i-based competition.
I saw the last show for it at First Hawaiian Bank a few years ago (it is held
every three years), and vowed to enter "the next one." The competition is open to
Hawai'i artists portraying Hawai'i residents; self-portraits (killing two birds
with one stone) are also acceptable. So over the summer I buckled down, and came up
with this one. It reflects a time of great frustrations as an artist
(from the capitalist, not the creative side) as well as national and world events:
the debt ceiling bullshit, the resulting world market roller coaster, etc.
The Oahu jurying for the competition was held over the weekend, and yours truly
will have to wait another three years to try again. But, unlike most competitions
I've entered, I actually got some feedback when I retrieved the painting.
It seems I sparked some controversy among the three jurors over the unfinished quality,
especially the eyes; otherwise it stood a chance. So note to future jurors of Edd's work:
if I sign it, it is DONE.

ETH-2288 "Portrait of the Artist, Pissed Off By A Variety of Things" (10x10") oil (2011)
I did this first little piece at the end of '10 based on one of my German trip photos.
This is from Marburg as we hiked up the hill toward the Schloss (castle).
It turned out all right, but something was missing. Just recently, I gave it
a nice varnishing with a warm tone. I think it made all the difference.

ETH-2149 "Toward the Castle" (5x7") oil (2010)
And then we have a little nude study from earlier this year as we attempt to catch up.

ETH-2241 "Study: flexes" (5x7") oil (2011)
I sat down with the idea of just doing a quick portrait study for this Torrit Grey
thing (July 11, 2011). As I was working on it, I was thinking how pasty white the face
was. Then I started thinking of clown makeup being very white. Then I thought,
let's have a little fun..

ETH-2294 "Dead Clown" (6x8") oil (2011)
Yesterday, took the camera along on my morning walk to catch some sunrise-coloured
clouds. But the shot that excited me most was of the Natatorium with a row of palms,
not unlike "Beach Park" (Apr 16, 2010). I started a 16x20 of that later in the day.
Today, the south swell is supposed to be the best in YEARS. So the camera comes along
again. Here's a painting from a previous camera outing. I wonder if any Hawaii folks
recognize it...

ETH-2281 "Trail to the Surf" (8x10) oil (2011)
This is a quick study from a couple of months ago..

ETH-2269 "Study: b&w butt" (8x10") oil (2011)
I checked back, and I see I first posted the initial phase in early May. Geez...
I thought this has been sitting around for a lot longer. I've painted the sky so
many different times and ways, that I'm surprised the paint isn't a half-inch thick.
A friend who dropped in yesterday saw it drying on the shelf and told me
he loves it -- he thinks it's the best he's seen of my work! Mentioned something
about Edgar Cayce...

ETH-2291 "Agatha is ambivalent; Joan is not Amused" (8x10") oil (2011)
Former Maui artist Carolyn Quan has invited me
to send some work over for the Annual Napa Valley Aloha Festival September 17 at Napa, CA.
As we get closer to the event, I hope to have more information to share. This piece
will be included.

ETH-2247 "Paddlers Turn" (8x10") oil (2011)
I used to have this [annoying?] habit of not going back to rework a painting,
no matter how I felt about it afterward. Apparently, I felt the piece had to remain
as some sort of sacrosanct artifact documenting the time it was created. I would
rip it up first before touching it up.
But that was "then." Stuff I paint
that doesn't excite me as much at the end as when I started (full of hope) ends up
in stack somewhere. Later, they get looked at, and I assess my mood again. Sometimes,
they "survive," other times, they are not so lucky. But at least now, I'm not afraid
to rework a painting if it's close to what I want. This is the case with today's piece.
The composition is unchanged, but there was this predominate pink-undertone,
and the paint was very loose (it looked like wallpaper for a French
whorehouse). So, I recently went back, and gave this one a little more time,
tried to keep the pinkish sky within reason, and I like it much better. Another view
from my house.

ETH-1710 "Twilight Palm" (10x10") oil (2011)
I spent a good deal of Monday re-inventing the layout of my website
(www.eddtokarzharnas.com).
At the moment, it's pretty much the same artwork as before, but a lot
less scrolling and more clicking. I was informed that people don't like
to scroll; I hope he's right, because as I said, it took ALL day.
I took the photos in early June 2010, and posted the first resulting painting
June 22, 2010. I wonder why I never posted the second one.

ETH-2245 "Pacific Pyrotechniques No. 3" (9x12) oil (2011)
Here is another little piece based on Amelia's European travels earlier this year.
A cousin to the April 20, 2011 posting.

ETH-2280 "Italian Sunset" (7x8") oil (2011)
..that I've been doing a lot of work lately -- but it's more like I've been
catching up on posting work that's been done a while ago (like January!)

ETH-2218 "sketch: from behind" (8x10) ballpoint pen (2011)